DRAWING
Everyone has their own definition of drawing. Mine is relaxed and free to discussion and change, but altogether is a simultaneously personal and world sharing process. Drawing allows me to participate in the symbiotic processes of the earth, as I try to form kinships with its elements, getting to know them as well as I know the intricacies of my own family. It is a process of observation, unwrapping layers through markings, lines, shadows, shades, tones. Drawing, like care, is sometimes aggressive, painful and takes a lot of labor. It is HARD, the type of difficulty that parallels running a marathon, a mental and physical exercise that requires training and focus, and even warm ups (this is something that Sue Gussow always taught me and I always struggle to do). Each project below is a different theme or type of drawing, assigned by professors or just on my own. And yet each one consistently stimulates and supports this continued curiosity in the world.
A process of abstraction that acts as an exercise in layering, color, texture, and form.
TO DIGEST
Practice is repetition, it is exercise of the brain and body. But in the world of architecture practice is the central idea of the firm, the founding principle. The practices that I find myself drawn to as I continue for my own search of theme, is an involvement in systems. This area is the most in progress yet the most important. It is where I understand my own artistic practices as part of a digestive cycle, whether that be in the act of making bread or transforming my own deshechos into paper.